Episode three.
First the “black” holes were drilled at about a 45 degree angle under the track with the second red hole drilled a couple of sleepers away so as they will not meet each other under the baseboard. Each wire was projected through the baseboard by at least three or four inches. The through baseboard excess is so that my cable stripper can get in to grip them. Cable used was as stated before was 7/0.75mm sq. single insulated bought in 100m reels. Then all cables were stripped, twisted and tinned. Prior to soldering onto the rail, the end is bent at some 45 degrees so that it will rest hard against the rail. See rough sketch .
Finally they were soldered on to the rails and after a few seconds delay, pulled to test for “dry joints”. A loop is formed under the baseboard and any excess worked back towards the connector strip. There each wire is stripped, twisted and tinned; this is because I have discovered some screws in the connector blocks can cut the inserted wire. No more than five to each termination and if more are needed then a copper loop wire is made to loop to the next terminal.
You may have noticed by now I have not mentioned “Bus Bars”, well I have now and this the only time I am going to mention them! I don’t use them FULLSTOP!
In simple terms (for my benefit) each track is connected back to the, as mentioned above, connector strips and then all rail joint fishplates (except the insulated ones of course) are looped together.
Now for the “clever” bit, I hope.
Baseboard one had an audio socket fixed into a piece of aluminium angle mounted at its right hand end, adjacent to baseboard two. Baseboard two has a socket fitted at both ends and baseboard four, a solo socket at its left hand end.
Inter baseboard connections are via a short length of mains flat twin flex with an audio plug on each end. They are all the same; you use the first one out of the box.
Wiring from these sockets runs towards the aforementioned connector socket. Where it was agreed the controller would be situated, that audio socket was made into a twin one to allow access by that controller.
Moving on, the point switches were next to be installed, fastened to a strip of aluminium fixed across holes in the rear of the baseboard sides, opposite their respective point. The DPDT switches had a pair of red/black wires taken from a local connector strip which in turn takes its supply from a second set of the audio plug/sockets which bring in a power supply from a floor mounted plug in transformer. The output from each switch runs to a point motor local connector block. There is also pair of red/black DCC wires feeding the internal switch, and back out again via an orange wire, this goes to the connecting wire for that point vee. Why orange? It was the only other colour I had.
The points were tested first and all worked. I wasn’t interested if they didn’t throw all the way across, as that was a different department (guess who).
Then I plugged in an old H & M Duette and went around the layout with my meter. One point polarity was reversed; I don’t mind taking the blame for that. Finally I extracted a loco from one of Mally’s display cases and after cleaning the track, managed to make it run to every where it should.
This is just my way of working and I appreciated that it may not work but after four layouts of differing scales wired this way and no problems in five years I think I maybe able to relax now.
So that’s it, job signed off to track painters and onwards for ballasting. Oh yes and scenery!