Thanks, but it was John at Art Printers who produced the background, taken from the Caley's Strathmore route, which suited my needs so well. I was going to do a panoramic stitch of the actual Helmsdale site, but his one was more than satisfactory for my needs. IMO, he should have been a candidate for some of those annual awards for producing such an innovative product, which upped the ante on backscenes so much. You see this one on layouts from north to south of this island, but to my mind it works best on layouts based in the northern half of Scotland. As for my efforts, I picked up an aside from Chris Nevard before starting this build about beginning from the backscene forward, which I took on board, using similar shades to those in the backscene, and conveniently the station fence was in exactly in the right place to hide the transition. I also worked under the same lighting both on the layout and the workbench - 6500k daylight tubes - to ensure a consistent colour balance between the components of the layout.